25th AES UK Conference: Posters

25th AES UK Conference: Spatial Audio in Today’s 3D World
in association with the
4th International Symposium on Ambisonics and Spherical Acoustics

University of York
Heslington, York, YO10 5DD, UK

Sunday 25th March – Tuesday 27th March 2012



Alphabetical order by lead author 


Influence of different microphone arrays on IACC as an objective measure of spatial impression or spaciousness
Marco Conceição, Trinity College Dublin, Dublin, Ireland/Escola Superior de Música, Artes e Espectáculo – IPP, Porto, Portugal; Dermot Furlong, Trinity College Dublin, Ireland

A prototype third order Ambisonic delay plug-in using randomising and oscillating positional encoding
Robert E. Davis & D. Fraser Clark, University of the West of Scotland, Paisley, UK

An Ambisonic Format Reproduction Array Standard
Andrew J. Horsburgh, Ambisonic & Spatial Audio Research Group, University of the West of Scotland, UK

Challenges and perspectives on the construction of a full-periphonic Ambisonic studio
David Monacchi, Eugenio Giordani, Marco Facondini, State Conservatory ‘G.Rossini’, Pesaro, Italy

A general spatial encoding scheme for auralizing soundfields in the horizontal plane
Damian Murphy, Audio Lab, Department of Electronics, University or York, UK; Alex Southern, Virtual Acoustics Team, Department of Media Technology, School of Science, Aalto University, Espoo, Finland

Applying Ambisonics to decision making research in sports science
Jörn Nettingsmeier, Freelance Audio Engineer; Ralf Kredel, Institute for Sports Science (ISPW), University of Bern, Switzerland

Sonic Choreography in 2D and 3D surround sound environments
Tommaso Perego, PhD Student, Music Department, Goldsmiths College, London, UK

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